Let's talk about the first chapter of a book and the reasons why I scrap chapter one. Chapter One: The Beginning. The first words of a story, the first scenes and events - for me - are equivalent to dipping your toes in the water, a temperature test, an experiment in preparation. Obviously, this will … Continue reading Why You Should Consider Completely Scrapping Chapter One
I've been questioning the title of Tiger's Eye. It was initially a title of convenience, something I could use to reference my book. I even like it for a while... but as the story progresses, I question it's accuracy and efficiency in representing the story. (Click here to read the blurb) It's something I've been … Continue reading Tiger’s Eye or Deadly Summonings
No, I'm not talking about a woman in labor. I'm talking about grammar, and how it effects the play of your sentences. I'm talking about how to use it to give your writing more umph. Contractions, I'm sure most of you know, is when two or more words are combined into one, shortened form, using … Continue reading Contractions
Microfiction is such a fascinating form of story telling. With a finite number of words, every syllable is vital. In my post Story Classifications, I discuss typical length of microfiction and the 6 word story. In reality, we see microfiction all the time. You see, microfiction is rarely (if ever?) a complete start-to-finish story - … Continue reading On Microfiction
Here are 10 points that you need in every main character, something to turn them from two-dimensional to three-dimensional. Bringing your characters to life and making your readers feel for them.
Characters need to be flawed. Your story is no the just the plot, it is also character growth. Your character can become a better person from your story as well. This is normally shown by a moral flaw or a psychological flaw. A moral flaw is when the characters hurts other, weather it is pushing people away or physically hurting them. A psychological flaw is when the character hurts themselves, weather it is by self-sabotage or another way. Your character will always have a weakness for someone to exploit, if they don’t, your character becomes to ‘perfect’, they become unbelievable.
The whole reason characters exist is for something they want. It doesn’t always have to be the…
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